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About Time

Jan 10, 2005 Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.

Sep 13, 2004 This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no struc­ture, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...

Aug 2, 2004 The three film’s in Renoir’s trilogy are comic period fantasies in dazzling color, offering a kind of continuous, bustling choreography in which shifting power relations between upper and lower classes and between spectators and performers literally turn the world into...

French Cancan

Essays

Aug 2, 2004 This kinetic and ineffably voluptuous musical is the happiest and most exuberant ripple in Jean Renoir’s career as a river of personal expression.

Early Summer

Essays

Jul 19, 2004 In Yasujiro Ozu’s hands, the extended-family drama widened its focus to encompass friends, neighbors, and employers.

Jul 19, 2004 Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”

Jun 21, 2004 Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...

May 24, 2004 Stray Dog, the ninth film directed by Akira Kurosawa, is a detective story that’s also meant to function as a commentary on the desperate social conditions of postwar Japan: a kind of neorealist cop movie.

May 17, 2004 Banned by the Third Reich before it was even released, Fritz Lang’s denunciation of Nazi Germany is a compellingly contemporary image of terrorism in an age of universal conspiracy and advanced technology.

May 9, 2004 With his vibrant chronicle of an Oedipal revolt, Volker Schlöndorff captures the source novel’s singular recreation of the German past.

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