Two to One

Aug 13, 2019 — As Toronto’s full lineup nears completion, New York looks to expand upon “our notions of what the moving image can do and be.”

Jul 30, 2019 — One Scene Though he works in the highly stylized realm of the horror genre, Ari Aster’s acute attention to the fraught dynamics of intimate relationships—evident in his psychologically penetrating new film Midsommar—makes it easy to see how he draws inspiration...

Jul 24, 2019 — New films by Josh and Benny Safdie, Marielle Heller, Pablo Larraín, Kasi Lemmons, Rian Johnson, Robert Eggers, Steven Soderbergh, and Lou Ye are heading to the festival.

Jul 19, 2019 — In 1983, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall undertook to make a documentary about the lives of homeless and runaway teenagers in Seattle, expanding on the work that Mark and McCall had done for a...

Jul 11, 2019 — The great Italian actress worked with Truffaut, Fellini, Antonioni, Losey, Dassin, Bava, and Robert Wise.

Jun 28, 2019 — This week’s highlights include an oral history of one of Kubrick’s most challenging sequences and reviews of the latest works from Béla Tarr and Paul Thomas Anderson.

May 16, 2019 — One of the key ways that Michael Haneke ropes viewers into Funny Games, his relentless, provocative psychological thriller about a brutal home invasion, is by regularly breaching the fourth wall. In the 1997 film, two high-spirited young men in tennis...

May 6, 2019 — With Police Story (1985) and Police Story 2 (1988), two anarchic, awe-inspiring action-comedies he directed, stunt-choreographed, and starred in, Jackie Chan bulldozed his way to movie immortality. The films’ intrepid, inventive stunt work might be what most catches the eye...

May 1, 2019 — With three, possibly four new films opening this year, Ferrara returns to New York to attend MoMA’s retrospective.

Apr 17, 2019 — Showcasing new work by filmmakers at the forefront of nonfiction and hybrid cinema, this year’s edition also pays tribute to three vital groundbreakers.