One of the key ways that Michael Haneke ropes viewers into Funny Games, his relentless, provocative psychological thriller about a brutal home invasion, is by regularly breaching the fourth wall. In the 1997 film, two high-spirited young men in tennis whites set their diabolical sights on a well-to-do family, breaking into their country home to torture them for sport—and in the process occasionally pausing the action to talk straight into the camera. The director intended these confidential asides as a method of drawing viewers’ attention to their own complicity in the sadistic “games” on display. In the above clip, taken from a supplement on our new edition of the film, Haneke talks about how the playful direct-to-camera addresses in a very different movie, Tony Richardson’s freewheeling picaresque Tom Jones, inspired his own self-referential strategy for examining violence in mass media—and our insatiable appetite for it.
A Daytrippers Trio Looks Back on Their Indie Miracle
Director Greg Mottola reunites with two cast members of his debut feature—Liev Schreiber and Parker Posey—to reminisce about the joys and trials they experienced on the set of this shoestring marvel.
The Trove of Muhammad Ali Footage That Almost Went Unseen
Producer David Sonenberg charts the long road When We Were Kings, which ultimately won an Oscar for best documentary, had to travel to make it to the big screen.