The Criterion Collection
Mar 25, 2016 — Director Ben Wheatley discusses his favorite films, which include Godard’s Weekend. After watching it, he says, “I almost felt like I’d had the stack of cards in my head rearranged and reprogrammed.”
Essays
Jan 10, 2000 — The Night Porter is a provocative and problematic film. Made in 1974 by Italian director Liliana Cavani, it can be seen as an exercise in perversion and exploitation of the Holocaust for the sake of sensationalism. On the other hand,...
The Daily
Jul 24, 2026 — September will bring new films from Lee Chang-dong, Julia Loktev, Barbara Kopple, Mariano Llinás, and Takashi Miike.
The Daily
Jul 1, 2026 — BAM’s thirteen-film series dips into chapters of American history that tend to get overlooked on Fourth of July weekends.
Jan 14, 2025 — In his only directorial effort for the big screen, Richard Pryor takes the raw stuff of his life and alchemizes it as art, demonstrating the humor and vulnerability that made him a towering figure in American culture.
The Daily
Sep 12, 2024 — Chime, a French remake of Serpent’s Path, and Japan’s Oscar submission, Cloud, have all premiered within months of each other.
The Daily
Jul 30, 2024 — Tsai Ming-liang and Lee Kang-sheng will be on hand for a fourteen-film American Cinematheque retrospective.
Essays
Oct 18, 2022 — Kiyoshi Kurosawa’s hypnotic serial-killer film dives into the realm of the uncanny and envisions the breakdown of Japanese society.
Essays
Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.
The Daily
Mar 26, 2021 — Today’s round features writing on Catherine Breillat, William Greaves, Thom Andersen, and Patricia Highsmith.