The Criterion Collection
On the Channel
Aug 27, 2018 — British master Terence Davies makes evocative use of dissolves to create a slippery narrative structure driven by emotion and memory.
On the Channel
Mar 26, 2018 — In a new episode of Observations on Film Art, now streaming on the Criterion Channel on FilmStruck, professor David Bordwell talks about Wong Kar-wai’s innovative use of narrative structure in Chungking Express.
On the Channel
Oct 26, 2017 — Professor David Bordwell uses the economically expressive performances of Jules Dassin’s Brute Force as an object lesson for breaking down the fundamentals of screen acting.
Essays
Feb 16, 2004 — Henri-Georges Clouzot took the standard ingredients of the Continental-Films detective movies and used them to make something darker and more complex—to make, in fact, the first classic French film noir.
Ryan Gilbey has written for the Guardian since 2002. His book on queer cinema, It Used to Be Witches, will be published in 2025.
Oct 29, 2026 — Drawing on his global understanding of Black expressive culture, the director of I Ran from It and Was Still in It and Blur creates freewheeling narrative structures that explore the intricacies of time, loss, and collective memory.
The Daily
Oct 28, 2026 — Marine Atlan, Arie and Chuko Esiri, Ryusuke Hamaguchi, Mike Leigh, and Olivia Wilde get an early awards-season boost.
Oct 22, 2026 — In one of his most personal films, the Oscar-winning director imbues Mary Shelley’s gothic tale with elements of family melodrama and traces of his own Catholic upbringing.
Oct 22, 2026 — The serial killer in Jonathan Demme’s Oscar-winning film remains a powerfully influential and dominant trans film image with a complicated legacy that cannot be taken lightly.
The Daily
Oct 16, 2026 — Metropolis and John Berger turn one hundred, Daisies is sixty, and the future is closing in.