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Aug 8, 2017 — “Mrs. Géquil is a delicate woman, at least in the eyes of her patronizing husband (played by José Garcia) as well as, perhaps, in the eyes of her boss and the vast majority of the students in her class,” begins...

Aug 8, 2017 — In Jan Speckenbach’s “intriguing, sincere, if somewhat overreaching sophomore feature,” Freedom, “Nora (Johanna Wokalek) wanders past Breugel’s Tower of Babel painting in the Kunsthistorisches Museum in Vienna, while in Berlin, unaware of her whereabouts, her lawyer husband Philip (a sympathetic...

Aug 8, 2017 — This underappreciated highlight of Michael Curtiz’s filmography grapples with postwar disillusionment and marital strife through the prism of a daylight noir.

Aug 7, 2017 — The big news to catch up with here is the launch of Film Critic: Adrian Martin, “almost 20 years, on and off, in the making.” Adrian Martin has been writing essential film criticism for four decades now, and what’s collected...

Aug 7, 2017 — The Venice International Film Festival, whose seventy-fourth edition runs from August 30 through September 9, has not only revamped its site, it’s also added three films to its lineup. John Woo’s Manhunt will premiere Out of Competition. “A contemporary remake...

Aug 7, 2017 — Todd Haynes is working on a documentary about the Velvet Underground, reports Variety’s John Hopewell. Speaking in Locarno, where he’s receiving the Pardo d’onore Manor for career achievement, Haynes says that he’ll “rely certainly on Warhol films but also a...

Aug 6, 2017 — “First there is the darkness of a limestone mine, lit only by helmet flashlights and the occasional shower of flinty sparks from a pickax connecting with rock,” begins Jessica Kiang in Variety. “And then there’s the comparative dazzle of the...

Aug 5, 2017 — “Two gloriously muscled bodybuilders eye each other with distrust, envy and contempt at the gym in Denis Côte’s A Soft the Skin.” That’s one of the moments from the first days of this year’s Locarno Festival that has stuck with...

Aug 4, 2017 — New York. The Elephant in the Room: The Films of Alan Clarke, a retrospective at Anthology Film Archives, opens today and runs through August 20. “Films like Elephant, Christine, and Contact, all of which play on this series’ opening night,...

Aug 4, 2017 — “In an unusual bit of programming synchronicity,” writes Ben Kenigsberg in the New York Times, “IFC Center will show High Plains Drifter—one of Clint Eastwood’s earliest directorial efforts, in which he casts himself as an amoral stranger who agrees to...