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The Set-Up

Apr 2, 2018 Stanley Kubrick’s 2001: A Space Odyssey saw its world premiere on this day, April 2, in 1968 at the Uptown Theater in Washington, D.C. Two days later, it opened in two more theaters, one in Hollywood and one in New...

Jun 23, 2017 Reporting on last year’s edition of Il Cinema Ritrovato for Film Comment, Dan Sullivan called the festival “a rare beast indeed: a one-week, primarily repertory film festival, mind-bogglingly dense with new restorations, legendary prints, discoveries and rediscoveries, canonical works presented...

May 20, 2017 “If he hadn’t already laid claim to the title of king of the cringe-inducing confrontation and nabob of the nervous laugh with the withering Force Majeure, Ruben Östlund truly anoints himself with The Square, an excoriating razor-burn of a movie...

Apr 17, 2024 Three of this month’s programs blast back to the turbulent midcentury moment when old Hollywood gave way to something new.

Feb 13, 2018 With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.

April Books

The Daily

Apr 24, 2024 This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.

Apr 27, 2021 The winner of top awards at Visions du Réel now heads to New Directors/New Films, Hot Docs, True/False, and Rotterdam.

Jun 24, 2020 It was audiences, not critics, that made hits out of such movies as St. Elmo’s Fire (1985), Batman Forever (1995), and Phone Booth (2002).

Jul 2, 2015 By recounting the impossibility of making a movie, Federico Fellini ended up creating a masterpiece that almost fell into his lap.

Oct 20, 2008 Costa-Gavras’s film pointedly raised issues that for many people were only dimly in the air at the time, and which have become more and more unavoidable in recent years, as the United States has openly assumed its imperial role.

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