The Criterion Collection
Interviews
May 15, 2019 — It may have taken nearly two decades after graduating from England’s National Film and Television School for Joanna Hogg to emerge as a feature filmmaker, but it was worth the wait. After making her thesis film, Caprice (starring a then-unknown...
Jul 20, 2016 — In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.
Features
Dec 30, 2013 — Charlie Chaplin’s comedy has a secret ingredient that has bound us to him forever.
Essays
Apr 17, 2012 — Maybe it is something to do with the sensual seductiveness of cinema: as new-millennium Americans, we care nothing for Japanese poetry, little for Japanese painting and fiction, and certainly too much for Japanese cartoons, and yet Yasujiro Ozu, the least...
Features
Feb 2, 2011 — These tributes first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. They are posted here by permission of the authors. The photographs appear courtesy of Colleen Murphy. Colleen Murphy After we decided to...
The Daily
Jul 28, 2022 — Directing the Monkees in Head and Jack Nicholson in Five Easy Pieces, Rafelson was a key figure of the New Hollywood.
On the Channel
Aug 16, 2018 — The Oscar-winning director talks about drawing inspiration from the intimacy and naturalism of the documentary masterpiece Chronicle of a Summer.
Short Takes
Sep 15, 2016 — From its formal and technical complexity to its potent social commentary, Mizoguchi’s early-career masterpiece The Story of the Last Chrysanthemum offers a rich learning experience for directors seeking to hone their craft.
Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...