The Criterion Collection
The Daily
Feb 9, 2018 — Life Is a Dream: The Films of Raúl Ruiz, opening today at the Film Society of Lincoln Center in New York and running through February 18, is the second half of an extensive retrospective organized by Dennis Lim and Dan...
Essays
Jan 30, 2018 — In his first sound film, silent-era master G. W. Pabst captures both the familial camaraderie and everyday brutality of life in the trenches.
Dec 19, 2017 — While he was in town with Call Me by Your Name at the New York Film Festival in October, Luca Guadagnino stopped by our office to talk about inspirations, style, and dancing.
Oct 10, 2017 — Mia Hansen-Løve is about to begin shooting her sixth feature, Maya, featuring Roman Kolinka (who's worked with Hansen-Løve on Eden, andThings to Come), Aarshi Banerjee, Alex Descas, Judith Chemla, and Johanna ter Steege. Fabien Lemercier reports for Cineuropa: “Written by...
Sep 18, 2017 — The wide-open vistas of Montana are the backdrop for three interlocking stories about women confronting the disappointments of small-town life.
Sneak Peeks
Jun 21, 2017 — The pain of thwarted young love serves as the narrative center of Marcel Pagnol’s The Marseille Trilogy, but in many ways it is the character of César—a father figure who bears witness to the doomed romance between his son, Marius,...
Jun 20, 2017 — At the dawn of sound cinema, French theater titan Marcel Pagnol immortalized his epic vision of his native Provence in three exquisite humanist dramas.
May 24, 2017 — The Cannes Film Festival always kicks up a flurry of announcements of projects in the works. Now that we’ve just passed the halfway mark, let’s have a look at some of the more interesting titles we’ve heard about so far.“Robert...
In Theaters
May 18, 2017 — Repertory PicksTonight, summertime comes early to Des Moines, as the city’s Fleur Cinema presents a free screening of Ingmar Bergman’s 1955 Smiles of a Summer Night. After a succession of box-office failures, and facing romantic and financial turmoil in his...
Mar 21, 2017 — A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.