The pain of thwarted young love serves as the narrative center of Marcel Pagnol’s The Marseille Trilogy, but in many ways it is the character of César—a father figure who bears witness to the doomed romance between his son, Marius, and a young shopkeeper named Fanny—who infuses this bittersweet three-part drama with its soul. Brusque yet big-hearted, César guides the story through its twists and turns with a boundless sense of compassion that would become a trademark of Raimu, the actor who originated the role on both stage and screen. This great music-hall veteran had honed his craft over the course of a decades-long career in Paris’s theater scene before he became a muse and close friend of Pagnol, who found in his star both the comedic talent and the profound pathos to anchor this richly humanist portrait of daily life in his native Provence. In the below clip from a supplement on our newly released box-set edition of The Marseille Trilogy, Pagnol’s grandson Nicolas discusses the deep mutual affection between these two artists, whose landmark collaborations remain among the most influential works of early French cinema.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.