The Criterion Collection
Oct 24, 2011 — “For a long time I stayed away from the Acropolis,” says the narrator of Don DeLillo’s novel The Names. “It daunted me, that somber rock. I preferred to wander in the modern city, imperfect, blaring. The weight and moment of...
Feb 1, 2011 — When Krzysztof Kieślowski’s The Double Life of Véronique was first screened at Cannes, in 1991, the critical reception was rapturous. Georgia Brown declared in the Village Voice, “Anything I say about [the film] is merely a labored minuet danced around...
The Daily
Jul 14, 2026 — News of his “sudden and unexpected” passing has drawn a flood of appreciation and genuine affection.
The Daily
Dec 22, 2025 — Kleber Mendonça Filho programs a series of films that have informed his slow-burning thriller.
The Daily
Nov 20, 2025 — To complement his new exhibition, Jafa programs a series of four double bills.
The Daily
Sep 19, 2025 — A week of pairings: Two films by Chantal Akerman, two essays by Serge Daney, Mike Figgis on Francis Ford Coppola, and Nadia Latif on Mira Nair.
Jul 29, 2025 — Mystery, intrigue, and illicit passion thrive in one of America’s most complex and expansive cities, captured in all of its glory in such crime thrillers as Out of Sight, Miami Vice, and China Moon.
The Daily
May 29, 2025 — The rise of fascism upended the childhoods of both filmmakers.
The Daily
May 6, 2025 — A two-part, thirty-film retrospective opens in New York before traveling to Berkeley, Harvard, Toronto, and Vancouver.
Feb 19, 2025 — Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.