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A Hard Day

Diverging Futures

The Daily

Apr 25, 2025 A busy week brings writing on the LA Rebellion, Jean-Luc Godard, and Elaine May, and a conversation with Pedro Almodóvar.

Apr 18, 2025 When Mayor John Lindsay made it easier for filmmakers to shoot on location in New York City, he paved the way for a string of movies that captured the troubled metropolis in the late sixties and early seventies.

Feb 25, 2025 Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.

Sep 11, 2024 Marianne Jean-Baptiste plays a deeply frustrated woman in Leigh’s first film set in contemporary Britain since Another Year (2010).

Apr 29, 2024 From After Hours to Mikey and Nicky to Collateral, movies centered on the twists and turns of a single night give filmmakers the chance to boldly experiment with cinematic time and space.

Feb 16, 2024 This week brings fresh writing on Edward Yang and David Cronenberg, a talk with Wim Wenders, and a bundle of lists.

May 31, 2022 Billy Wilder’s classic film noir is a powerful meditation on masculinity, desire, and the fantasies of white America.

Mar 25, 2022 This week’s reads include a survey of this year’s contenders, a look back to the last big sweep, and interviews with Wayne Wang and Valentyn Vasyanovych.

Feb 14, 2022 The Berlinale’s most adventurous section offers adaptations, inspiration, and a slice of its own history.

Feb 26, 2021 There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...

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