The Criterion Collection
Interviews
Apr 27, 2010 — From left: Marlon Brando, Maureen Stapleton, Tennessee Williams, and producer Richard Shepherd, on the set of The Fugitive Kind. It was Jules Stein, head and founder of MCA, who plucked Richard Shepherd out of Stanford and made him into a real...
The Daily
Nov 11, 2018 — Cold War leads the nominations for this year’s European Film Awards, while Ray & Liz scores in Thessaloniki.
The Daily
May 24, 2022 — While some critics expected more gore, others see a wryly wise reflection on our biological future.
The Daily
Jun 25, 2017 — New York. Edgar Wright Presents Heist Society is a BAMcinématek series running from Tuesday through July 23 and, over at the BAM blog, Wright’s got ultra-brief introductions to each and every one of the twenty-two films—including Walter Hill’s The Driver...
Short Takes
Dec 16, 2016 — Did You See This? To commemorate the fiftieth anniversary of Michelangelo Antonioni’s Blow-Up, Adam Scovell visited the film’s unforgettable London locations. Another masterpiece made half a century ago is Ousmane Sembène’s Black Girl, a scathing critique of racism anchored by...
Features
Sep 30, 2013 — The author describes his interactions with the great Polish filmmaker.
The Daily
Mar 7, 2019 — The liberating influence of the painter, filmmaker, writer, and performance artist is immeasurable.
Dec 1, 2017 — Press NotesOne of the great masters of melancholy comedy, Finnish director Aki Kaurismäki, returns to theaters today with The Other Side of Hope, his first film since 2011’s Le Havre. Continuing his empathetic exploration of global migration, Kaurismäki’s latest is...
Essays
Mar 11, 1991 — The long absent comic essence of the silent era was suddenly revived in the hands of lovable and wildly antic filmmaker Jacques Tati.