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This Is Not a Film

May 25, 2009 Reported from the set of Eddie Coyle by New Journalism trailblazer Grover Lewis, this article is a profile of Robert Mitchum that features extensive, idiosyncratic monologues by Mitchum himself.

May 19, 2008 Top fashion models bleeding from sharp-edged aluminum dresses. A comic-strip American superhero oozing stigmata. A naked couple electrically zapped for the delectation of the TV-viewing public. These are some of the images from the fiction films of American expatriate in...

Jul 17, 2026 Channel Calendars This month on the Criterion Channel, crank up the volume on our playlist of (actually good) rock biopics that go beyond cliché to explore the elusive place where inspiration sparks and musical legends are born. Our Southern Gothic...

Feb 20, 2024 Dense with conflicting ideas, the hybrid film focuses on the 2021 return of centuries-old artifacts to Africa.

Nov 8, 2023 Both America’s largest and the world’s largest documentary film festivals open today.

Apr 2, 2020 Artforum and Bookforum join Filmmaker and Film Quarterly in offering free access to their latest issues.

Jan 14, 2019 Songbook “Don’t You (Forget About Me)” could have had many lives before the life it eventually had. But the song had to work hard to be recorded at all. No one particularly wanted to sing it, and it was turned...

Jan 10, 2018 The director of the war masterpiece Come and See got his start lampooning social conformity in 1960s Soviet life. Two of his early-career gems are now available on the Criterion Channel on FilmStruck.

’77

The Daily

Aug 2, 2017 “Forty years ago,” begins Earl Douglas at the Interrobang, “the country was still reeling from Vietnam and Watergate, Elvis died, punk and disco took full flight, and New York City dealt with record heat, a blackout, a financial crisis and...

Jun 24, 2014 One of the most important contributions Peter Davis’s Hearts and Minds makes to our national dialogue on the Vietnam War is its portrayal of ordinary Vietnamese. For years, the Vietnamese had been conspicuous by their absence in American film and...

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