The Criterion Collection
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
In Theaters
Oct 18, 2018 — One of the greatest of all silent films screens at a/perture cinema this Saturday, with a presentation by a Wake Forest University religious-studies professor.
The Daily
Oct 18, 2018 — An autumnal round of reviews, excerpts, interviews, and news.
The Daily
Oct 17, 2018 — Peter Jackson revamps archival footage from the First World War in They Shall Not Grow Old.
Criterion Designs
Oct 16, 2018 — With her thick, flowing brushstrokes and eccentric sensibility, illustrator Ping Zhu captured the buoyant flavor of Juzo Itami’s “ramen western.”
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
The Daily
Oct 16, 2018 — With Happy New Year, Colin Burstead, the British director returns to the nit and grit of his early features.
The Daily
Oct 14, 2018 — If horror is going to be forever plagued by remakes and sequels, we could do worse than this year’s Halloween and Suspiria.
Oct 12, 2018 — Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.
The Daily
Oct 11, 2018 — Did You See This? Five highlights of the past seven days:Films by Michael Mann are the subject of two not-to-be-missed pieces this week. Writing for Oscilloscope’s Musings, Bilge Ebiri argues the case for the neglected Blackhat (2015): “When video liberated...