The Professor

Paul Coates is a professor emeritus of film studies at Western University, Ontario. Previously, he taught at Georgia, McGill, and Aberdeen, and his books include The Story of the Lost Reflection (1985), The Gorgon’s Gaze (1991), Lucid Dreams: The Cinema...

Alan Williams is the author of Republic of Images: A History of French Filmmaking, and is a professor of French at Rutgers University.

Ian Christie is a film historian, curator, broadcaster, and professor of film and media history at Birkbeck College, University of London. He has written and edited many books on Russian, British, and American cinema—including Arrows of Desire: The Films of...

Andrew Sarris (1928–2012) was a longtime critic at the Village Voice (from 1960 to 1989) and the New York Observer (from 1989 to 2009), and the author of numerous books, including The American Cinema: Directors and Directions, 1929–1968 and “You...

Mar 24, 2025 — At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.

Aug 6, 2024 — Seventeen features are lined up to compete for the top prize in Locarno.

Jul 26, 2022 — The festival selects urgent documentaries, starry portraits, and family dramas.

Mar 30, 2022 — Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.

Mar 15, 2022 — A captivatingly unclassifiable leading man in the 1980s, Hurt often returned to his first passion—the theater.

Feb 24, 2022 — Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.