The Criterion Collection
May 25, 2010 — In the films of Stan Brakhage, the viewer’s role must be reimagined: from a passive receiver to one who meets the film halfway, actively plumbing the depths of its imagery and the various themes and ideas suggested by its subject...
Jun 23, 2008 — Five years of increasingly horrific news from the former Yugoslavia made Milcho Manchevski’s searing yet lyrical film timely to a degree that few filmmakers have ever achieved.
Essays
Aug 2, 2004 — This kinetic and ineffably voluptuous musical is the happiest and most exuberant ripple in Jean Renoir’s career as a river of personal expression.
The Daily
Jul 1, 2019 — Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.
The Daily
Jan 22, 2018 — New York. There’s a celebration going on at the Quad Cinema through Wednesday, A Journey Through Cinema: Ten Years of the Cohen Media Group. At Screen Slate, Caroline Golum picks out Maurice Pialat’s Loulou (1980) from the program to spotlight,...
The Daily
Jun 13, 2017 — Film Quarterly has not only a new issue but also a new site. In her opening editorial, B. Ruby Rich, who, as noted the other day, will be in London from June 22 through 25 for the series of screenings...
Sneak Peeks
Jul 28, 2014 — The amazing cinematic universe of Jacques Demy essentially starts with Anouk Aimée. The distinctively beautiful French actor had recently made a splash in Federico Fellini’s hit La dolce vita when she was cast as the title lovelorn music-hall chanteuse in Demy’s 1961...
Oct 16, 2013 — Georges Franju deftly balances fantasy and realism, clinical detachment and operatic emotion, beauty and pain, all presided over by Edith Scob’s haunting, haunted eyes.
Mar 13, 2004 — With uncharacteristic warmth and affection for human frailty, Ingmar Bergman raises the question of how love can possibly last forever.
Jun 12, 2025 — The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.