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The First Year

Oct 22, 2013 The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...

May 28, 2013 Mike Leigh’s breakthrough is a funny film about serious things, and an emotional and slyly political take on consumer culture.

Apr 9, 2013 This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...

Donald Richie, 1924–2013

Production Notes

Feb 19, 2013 Photo by Grant Delin, 2012 Today we mourn the loss of Donald Richie, writer, critic, curator, cultural explorer, and my friend since 2001. I met him when he came to New York to record a commentary track for our DVD...

Jan 2, 2013 Performances Hirokazu Kore-eda’s Still Walking is an exquisitely lived-in portrayal of family life. It takes place largely over the course of one day, at the home of the aging Yokoyamas, Toshiko (Kirin Kiki) and Kyohei (Yoshio Harada), as they welcome...

Dec 11, 2012 Cinema is both an educational tool and a vessel for kinetic, avant-garde expression for filmmaker and activist Godfrey Reggio.

Aug 24, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled the results....

Jul 19, 2012 I want to start with my favorite story about Carole Lombard. She began her career in Hollywood in her teens and, as we know, was very attractive. She found herself hounded by the wolves of Tinseltown but came up with...

Talking with John

Production Notes

Jul 18, 2012 John Lurie reminisces about making Down by Law and Fishing with John.

May 23, 2012 Iranian master director Abbas Kiarostami voyaged to Italy to make a film that questions love, relationships, and Western art cinema.

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