The Criterion Collection
Essays
Jan 11, 1999 — David Lean followed his prodigious adaptation of Charles Dickens’ Great Expectations with this brilliant crystallization of Dickens’ Oliver Twist; or, the Parish Boy’s Progress. It deploys the cinema’s special powers of dash and immediacy to convey all the venturesomeness and...
Essays
Jul 21, 1998 — Samurai III, Duel at Ganryu Island, is the last and best part of Hiroshi Inagaki’s Trilogy. In contrast to the earlier, more action-oriented Samurai I and II, this final section shows its hero Musashi (Toshiro Mifune) struggling with questions as...
Apr 21, 2023 — A. V. Rockwell is an award-winning screenwriter and director. Named one of Filmmaker magazine’s “25 New Faces of Independent Film,” she has been celebrated for addressing issues of race, identity, and systemic oppression with her distinctive voice. Rockwell’s debut feature...
Dec 15, 2008 — Flash back to September 1968. The Swedish Film Week in Sorrento, Italy, with its alfresco suppers and its excursions to Capri and Pompeii. Ingmar Bergman was expected, and he and Liv Ullmann were assigned a luxurious villa for the duration....
The Daily
Aug 28, 2020 — This week’s highlights feature paintings brought to life, pioneering citizen journalists, early “race films,” and the first Japanese wave.
Short Takes
Mar 5, 2018 — On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.
The Daily
Oct 13, 2026 — The Melbourne Cinémathèque screens five films by the poetic realist best known for Children of Paradise.
The Daily
Apr 13, 2026 — The Cannes sidebar spotlights first and second features from up-and-coming filmmakers.
The Daily
Nov 6, 2025 — In the run-up to the release of Jay Kelly, the American Cinematheque presents a five-film series.