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Oct 4, 2012 — Louis Malle is remembered primarily as a fiction filmmaker, but he had a parallel career as a documentarian. In fact, he got his start in nonfiction: when he was just twenty-three years old, Malle was given the opportunity to collaborate...

Sep 13, 2012 — Horror fans might assume that director Sam Raimi’s Evil Dead movies wrote the book on cursed bibles of the damned. But years earlier, in 1967, The Equinox . . . A Journey into the Supernatural, one of the films in this week’s...

Aug 24, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled the results....

Aug 8, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors about what they consider to be the ten greatest works of cinema ever made and compiled the results. The...

Jul 17, 2012 — Down by Law, released in 1986, was Jim Jarmusch’s third movie. Unlike its predecessors, Permanent Vacation (1980) and Stranger Than Paradise (1984), it did not take off from a semi-documentary view of downtown Manhattan. It was shot entirely on location...

Jun 6, 2012 — A killer breakfast

May 23, 2012 — Repertory PicksWhen most people think of Peter Falk, who died in June 2011, they recall his indelible embodiment of TV detective Frank Columbo. Yet movie lovers also remember the legendary, smoky-voiced actor for his slew of unforgettable big-screen roles, from...

May 15, 2012 — Circumlocutory critic Perkus Tooth sits down with a very patient Spike Jonze to talk gerunds and colons.

May 11, 2012 — We spread the word about Larisa Shepitko, one of the true visionaries of Soviet cinema, when we released two of her incredible films in 2008, but she remains an under-the-radar figure for most movie lovers. By 1979, when she was...

Apr 17, 2012 — Maybe it is something to do with the sensual seductiveness of cinema: as new-millennium Americans, we care nothing for Japa­nese poetry, little for Japanese painting and fiction, and certainly too much for Japanese cartoons, and yet Yasujiro Ozu, the least...