The Criterion Collection
Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.
The Daily
Jun 5, 2026 — A series of films Malle made in the U.S. opens with an excellent documentary on the director’s life and work.
Mar 30, 2026 — Suffused with visual beauty and moments of magical realism, Jess X. Snow’s queer diasporic cinema invites us to imagine new possibilities for freedom, transformation, and intergenerational healing.
On the Channel
Oct 16, 2025 — This month, join us for a Thanksgiving feast of some of the movies’ most memorable family reunions, or delve into the dark alleyways of noir mysteries built around protagonists tormented by amnesia, memory holes, and drunken blackouts.
May 13, 2025 — In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects.
The Daily
May 6, 2025 — A two-part, thirty-film retrospective opens in New York before traveling to Berkeley, Harvard, Toronto, and Vancouver.
The Daily
Aug 16, 2024 — With her partner, John Cassavetes, Rowlands made some of the most vital and alive films in all of American cinema.
Essays
Jun 18, 2024 — In this stylish erotic noir, Lilly and Lana Wachowski delight in destabilizing our genre and gender expectations, laying the foundation for the trans sensibility that runs through all their work.
Apr 24, 2024 — In this early-career gem from one of the most beloved Japanese animation directors of all time, an extravagant sci-fi narrative is anchored by the transcendent power of young love and poignant observations of modern life.
Mar 21, 2024 — Film at Lincoln Center presents all fourteen features by the director of The Saragossa Manuscript (1964) and The Hourglass Sanatorium (1973).