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The Last Train

Jul 23, 2024 Chen Kaige’s sweeping epic chronicles the history of twentieth-century China through the story of two childhood friends, contrasting the unchanging traditions of their Beijing-opera milieu with the nation’s swift and turbulent transformation.

Jun 12, 2024 This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.

May 21, 2024 The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.

Apr 22, 2024 Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.

Feb 13, 2024 Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.

Jan 29, 2024 Get ready for Valentine’s Day with a collection of otherworldly love stories, and celebrate Black History Month with a selection of films exploring African American history.

Dec 29, 2022 Martin Scorsese, Hayao Miyazaki, Catherine Breillat, Michael Mann, Christian Petzold, David Fincher . . .

Oct 27, 2022 Take a stroll down some of film noir’s darkest alleys with our Fox Noir collection and tributes to genre stars John Garfield and Veronica Lake.

May 11, 2022 Louis Feuillade’s influential serial Les Vampires reflected the French national subconscious at the time by depicting a madcap world of anarchy and violent spectacle.

Apr 29, 2022 Channel Calendars This month on the Criterion Channel, we’re celebrating the career of one of our favorite contemporary American filmmakers—the independent, inquisitive, and ever-eclectic Richard Linklater—with a retrospective of beloved hits and lesser-known gems selected by the director himself. Take...

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