The Interview

Jul 13, 2016 — The Oscar-nominated documentarian discusses Resnais’s film—made in 1955, ten years after the liberation of the Nazi concentration camps—which was one of the first to confront the devastation of the Holocaust.

Jan 15, 2016 — The filmmaker and cinematographer had a lifelong commitment to the camera and how it could be used to foster dialogue and action.

May 28, 2015 — We sat down with the eminent German cinema scholar Eric Rentschler for a new interview about The Merchant of Four Seasons, Rainer Werner Fassbinder’s first Douglas Sirk–inspired film. In this excerpt, Rentschler describes the major turning point the movie represented...

Aug 12, 2014 — The emotional culmination of a brilliant career in film, John Cassavetes’s unruly masterpiece is an enigmatic character study and a direct investigation of the nature of love.

Jun 27, 2014 — The American war in Vietnam was officially divided into two halves: the military war and “the other war: the war to win the hearts and minds of the people,” which gives Peter Davis’s 1974 documentary its title. Whereas the aim...

Mar 4, 2014 — The great documentarian Claude Lanzmann’s new movie, made from footage he didn’t use in Shoah, provides a fascinating glipse at the way he began that monumental project.

Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?

Nov 19, 2012 — Legendary production designer Dante Ferretti is known to moviegoers everywhere for the elaborate and period-precise but fanciful worlds he has created for such films as Terry Gilliam’s The Adventures of Baron Munchausen, Neil Jordan’s Interview with the Vampire, and Martin...

Oct 16, 2012 — After breaking out with Maria Full of Grace, filmmaker Joshua Marston visited a strange new land with persistent and deadly traditions.

Jun 21, 2011 — Chains: Bound for Glory Film history is replete with artists embraced by critics but misunderstood by the public. For Italian filmmaker Raffaello Matarazzo, it was the opposite. After working for almost two decades as a midlevel studio director of pictures...