Oct 12, 1987 For more than forty years, The Seventh Seal has been a benchmark by which all other great foreign films are judged. It launched the international career of its director, Ingmar Bergman, and made a star of its 27-year-old leading actor,...

Nov 17, 1986 The best of all the Spencer Tracy/Katharine Hepburn comedies, Adam’s Rib is as fresh and topical today as it was in 1949 when it was first released. Written by Ruth Gordon and Garson Kanin and directed by George Cukor, this...

Feb 10, 2003 The poet Paul Eluard says that to understand my film version of Beauty and the Beast, you must love your dog more than your car. Ordinarily, I would settle for that. However, with so much being written about the film...

Jun 24, 2002 Oscar Wilde’s play is brought to the screen lovingly and meticulously by one of the great eccentrics of the British cinema, Anthony “Puffin” Asquith.

May 25, 1992 If Max Ophuls hadn’t cooled his heels in Hollywood to flee the Nazis, his name might have conjured only the most unintelligible of foreign cinema—vague and inaccessible to the average American filmgoer. But in 1948 Ophuls was given an opportunity...

Room Tone 2022

Features

Dec 25, 2022 With 2022 coming to a close, one of our editors lovingly compiled this montage of the magical moments of silence our crews and collaborators share at the end of every interview.

Mar 24, 2022 Yes, it’s a trip to the moon, but mostly, it’s a lovingly detailed recollection of being a kid in Houston in the summer of 1969.

Aug 20, 2013 Satyajit Ray’s delicate masterpiece about forbidden love in the late nineteenth century is lovingly adapted from a novella by the great Rabindranath Tagore.

May 18, 2026 Critics are taking to Paweł Pawlikowski’s Fatherland, Radu Jude’s The Diary of a Chambermaid, and Jordan Firstman’s Club Kid.

Apr 16, 2026 This month, take a peek at movie history through the prism of the ’80s: our collection of the decade’s best remakes and the originals that inspired them reveals an era of wild reinventions and sly revisionism.

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