The Criterion Collection
Feb 17, 2017 — In 1970, legendary filmmaker Roger Corman founded New World Pictures, an independent studio that produced and distributed everything from B-movies and exploitation films to acclaimed foreign art-house fare by Federico Fellini, François Truffaut, and Ingmar Bergman. It became a breeding...
In Theaters
Feb 2, 2017 — Repertory Picks This Friday, the Dairy Arts Center in Boulder, Colorado, will screen Hal Ashby’s 1971 sophomore feature Harold and Maude. Made just one year after Ashby transitioned from editing to directing with his Brooklyn-set gentrification drama The Landlord, the...
Dec 26, 2016 — PerformancesTraveling through the subterranean portals of Videodrome like an introverted wraith, Deborah Harry carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either...
Dec 23, 2016 — Did You See This? Over at the BFI, Nathalie Morris recounts the trailblazing career of singer, actor, athlete, and activist Paul Robeson, “a true renaissance man who overcame racial prejudice to become one of the biggest stars of his time.”...
Nov 28, 2016 — PerformancesAny paean to noir seductress nonpareil Gloria Grahame—mine included—can’t hope to surpass this encomium from Boyd McDonald, one of her most ardent and articulate devotees. Saluting Grahame’s performance in In a Lonely Place (1950) in his essential 1985 compendium, Cruising...
Essays
Apr 19, 2016 — In Whit Stillman’s second feature, cousins Fred and Ted Boynton (Chris Eigeman and Taylor Nichols) navigate an occasionally hostile culture and their own late transitions to adulthood.
In Theaters
Mar 17, 2016 — Repertory Picks This weekend, Row House Cinema will launch the first-ever Pittsburgh Japanese Film Festival, featuring four diverse films by some of Japan’s most beloved filmmakers—including Akira Kurosawa and Yasujiro Ozu. Among the films screening during the festival is Ozu’s...
Short Takes
Feb 17, 2016 — It’s been nearly fifty years since the original release of Nagisa Oshima’s Death by Hanging, yet the 1968 feature remains as viscerally powerful as ever. Oshima, one of the Japanese New Wave’s most prominent directors, made the film as a...
Feb 16, 2016 — In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.
Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.