The Criterion Collection
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
The Daily
Sep 4, 2018 — Natalie Portman sings, Willem Dafoe paints, and Frederick Wiseman heads to Trump country.
In Theaters
Aug 16, 2018 — The Cleveland Museum of Art salutes the late Italian master Ermanno Olmi with a screening of Il posto, a touching and wisely funny look at the trials of work.
On the Channel
Jul 19, 2018 — Can art change the world? That’s the question that has propelled writer-director Mira Nair down the various paths she’s taken as an artist, from her early explorations of stage acting and photography to her success with such films as Monsoon...
The Daily
Jul 18, 2018 — A new podcast from Trailers from Hell, three hours on Yojimbo, and more.
The Daily
Jul 16, 2018 — NECSUS, a freely accessible, international journal of media studies, is rolling out its new issue.
Jun 20, 2018 — Françoise Bonnot, who passed away last week at the age of seventy-eight, was one of the world’s most versatile and seasoned film editors, with a five-decade career that encompassed work with such international auteurs as Costa-Gavras, Jean-Pierre Melville, and Volker Schlöndorff. But...
On the Channel
Jun 7, 2018 — “Film was a sort of rarified, special thing you might luck into,” says Marlon James, recalling his first encounters with the art form as a child in Jamaica. Growing up in Kingston in the 1970s, he got his cinema education...
Apr 2, 2018 — The director of Love After Love examines the emotional subtlety of Maurice Pialat’s camera work in a pivotal scene in the 1983 masterpiece À nos amours.
The Daily
Apr 2, 2018 — Khalik Allah’s Black Mother premiered at last month’s True/False Film Fest, saw its international premiere at CPH:DOX in Copenhagen, has just screened in Paris at the fortieth Cinéma du réel, and screens this week at New Directors/New Films in New...