Ignasi M.

Mar 22, 2017 — A stately satire of modern media consumption and American politics, Hal Ashby’s 1979 film Being There follows the fortunes of a childlike gardener named Chance (Peter Sellers), who becomes an unlikely celebrity of D.C. high society after attracting the attention...

Mar 22, 2017 — A tragedian at heart, Shirley Stoler found her Medea in the role of a glowering bandit on the run in Leonard Kastle’s seedy true-crime drama.

Mar 21, 2017 — A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.

Mar 18, 2017 — The landscape of late-nineties American film culture found a loving chronicler in John Pierson, whose groundbreaking TV series Split Screen premiered on IFC in 1997 and now has its streaming home on the Criterion Channel. In this excerpt from the...

Mar 17, 2017 — Did You See This? The latest issue of Senses of Cinema looks back fifty years to reflect on films that captured the cultural and political tumult of 1967. If you’re in the mood for another flashback, Little White Lies has...

Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.

Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.

Mar 10, 2017 — Did You See This? Classic film lovers everywhere were saddened to learn about the death of veteran TCM host Robert Osborne last Sunday. In a heartfelt tribute, Tiffany Vazquez, a daytime host on the channel, writes that “Robert’s wisdom, grace,...

Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.

Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.