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† This is the Life

May 11, 2012 We spread the word about Larisa Shepitko, one of the true visionaries of Soviet cinema, when we released two of her incredible films in 2008, but she remains an under-the-radar figure for most movie lovers. By 1979, when she was...

Oct 12, 2010 This essay originally appeared in the October 1990 issue of Cahiers du cinéma. Translated by Stephen Sarrazin. The Magician is one of Bergman’s most enigmatic films, perhaps his underground masterpiece, one of the keys to his cinema. Traveling actors, maids...

Jul 22, 2009 Made in 1966 (so quickly that it could almost be considered an improvisation), Jean-Luc Godard’s twelfth feature is arguably the most quintessentially “Godardian” of the filmmaker’s early period— but for those of us in the United States, it is also...

Sep 22, 2008 With their rotating casts of sourpuss Finns and their stringent compositions, Aki Kaurismäki’s films would seem the least likely candidates for laughs, yet his black-comic precision has made him one of the most warmly embraced filmmakers on the international art-house...

The 39 Steps

Essays

Nov 23, 1999 The occasion of the 100th anniversary of Alfred Hitchcock’s birth rewards us with a new release of one of his greatest films, The 39 Steps (1935). This DVD provides a newly restored transfer, new critical audio commentary on the film,...

Nov 23, 1998 Harold Shand, the London crime boss at the center of The Long Good Friday, is more than an antihero. He’s the Antichrist, uniting bourgeoisie and barbarians in a simultaneous Pax and Pox Brittanica. With the “legitimate” help of cops and...

Aug 5, 2026 MIFF 2026 revives films by Manoel de Oliveira, Lino Brocka, Mary Stephen, Yoshiaki Kawajiri, Michael Almereyda, and Mary Harron.

Aug 4, 2026 New restorations, festival favorites, and world premieres are heading to Toronto.

May 8, 2026 Jean Rouch said they created “a new cinematographic language,” and a retrospective touring North America begins in Toronto.

Feb 25, 2026 The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.

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