Apr 10, 2019 — The Dead Don’t Die, a zombie comedy, will put an army of stars on the red carpet.

Apr 5, 2019 — Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...

Mar 26, 2019 — As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.

Mar 21, 2019 — Repertory Picks Take Marlene Dietrich at the height of her stardom, stick her in tight quarters with fellow screen siren Anna May Wong, and surround them with a band of lowlifes, and you have the recipe for pre-Code Hollywood at...

Mar 14, 2019 — Repertory Picks Eighty years after its initial release, Jean Renoir’s The Rules of the Game is routinely named among the two or three greatest films ever made, and next Monday movie lovers in Brookline, Massachusetts, will get a chance to relish its...

Mar 1, 2019 — Barbara Hammer gives an “exit interview,” Béla Tarr discusses Sátántangó, and Neil Jordan writes about the projects that got away.

Feb 28, 2019 — Repertory Picks With the release of his legendary unfinished film The Other Side of the Wind last year, Orson Welles is back on movie lovers’ minds. So there’s never been a better time to delve deep into his complex legacy, as Chicago’s Gene...

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Jan 30, 2019 — We’re excited to announce that our new streaming service for movie lovers, the Criterion Channel, will be launching on April 8 in the U.S. and Canada. It will be available on desktop, Roku, Amazon Fire, Apple TV, iOS, and Android...

Jan 25, 2019 — Deep into Cristian Mungiu’s 2007 drama 4 Months, 3 Weeks and 2 Days, we sit in on a leisurely dinner-table chat that appears to be unrelated to the film’s main event, an illegal abortion conducted in a seedy hotel. After...

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