The Criterion Collection
Feb 11, 2025 — Jean-Luc Godard’s first English-language narrative feature is a postapocalyptic fantasy that shifts from antic humor to tragic grandeur while challenging deep-rooted assumptions about what a Shakespearean movie should be.
Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.
Oct 9, 2012 — British wartime audiences ate up these rule-breaking costume pictures—entertainments for a populace seeking escapism.
The Daily
Jan 8, 2021 — A new Cinema Scope is out, along with the first issue of Screening the Past in well over a year.
Jan 30, 2017 — Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.
Jul 19, 2010 — “Why do you want to dance?” “Why do you want to live?” A question followed by another question stands at the beating heart of The Red Shoes. It’s an entirely rhetorical exchange, but it underscores the power and the mystery...
The Daily
Dec 23, 2025 — Head into the holidays with roundtables to watch, articles to read, and podcasts to listen to.
The Daily
Oct 11, 2022 — One mystery leads to the next over the course of twelve chapters split into two features.
Sep 4, 2017 — “Some films have a heat that makes you shrink from the cinema screen,” begins the Telegraph’s Robbie Collin, “After this morning’s screening of Three Billboards Outside Ebbing, Missouri, I had to check my eyebrows were still intact. The British-Irish director...
The Daily
Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...