One Life

Sep 3, 2014 — In this clip from an extensive interview with Bob Fosse on The South Bank Show in March 1981, the filmmaker-choreographer recalls the idea for All That Jazz springing from one of the darkest periods of his life and discusses the...

May 21, 2013 — It’s tough to tell where reality ends and fiction begins in Haskell Wexler’s deft chronicle of a turbulent era.

Sep 18, 2012 — Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.

Mar 7, 2012 — This clip is the middle section of Hollis Frampton's Surface Tension (1968). In it, we see a sped-up journey from Brooklyn Bridge to Central Park in New York City. Frampton considered the bridge (along with Stonehenge) to be "one of the primary aesthetic experiences...

Oct 25, 2011 — The film is made up of a succession of small visions, observed and executed with apparent ease but thought through with such exquisite care and attention that the experience becomes overwhelming.

Mar 22, 2011 — The Times of Harvey Milk is one of the defining monuments to the life and legacy of my late uncle Harvey Milk. It has also been a companion in many ways during my own journey as the openly gay nephew...

Oct 12, 2010 — Ingmar Bergman’s Ansiktet (1958)—the title literally translates as The Face, though in North America it was released as The Magician—is arguably one of his most underrated achievements. Its undeservedly lowly standing may perhaps be attributed to its chronological position in...

May 20, 2010 — Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...

Oct 27, 2009 — Who speaks of Howards End these days? Who expounds on the virtues of this magnificent drama, whose traditional style seems almost as distant as its Edwardian setting? Seen today, years past its 1992 release, it strikes one as not only...

Oct 15, 2009 — Our favorite Manitoban, Guy Maddin, cheerfully grim chronicler of storybook psychosexuality and charmingly modest self-mythologizer, is in Paris now for a special event. Though just fifty-three and very much still working, the filmmaker is the subject of a complete career...