The Criterion Collection
Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
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Nov 26, 2018 — The cinematographer-turned-director reinvigorated British cinema with bold color and nonlinear storytelling.
Nov 18, 2018 — This sensuous, sprawling epic, which Ingmar Bergman intended to be his swan song, offers an effortless summing up of the themes—among them family, identity, and mortality—he'd spent a career exploring.
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
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Nov 14, 2018 — The history of Hollywood is the focus of this round, but its reach also extends well beyond.
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Nov 2, 2018 — The branding of Bergman, the arrival of The Other Side of the Wind, and more highlights of the week.
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Oct 19, 2018 — Two outstanding podcasts return, and every one of Hong Sangsoo’s features is revisited.
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Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.