The Criterion Collection
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May 17, 2024 — We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.
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Oct 4, 2017 — We begin with Richard Brody, writing in the New Yorker about Alain Gomis’s Félicité, “a dramatic portrait of a fierce, intrepid woman—a single mother and a powerfully expressive cabaret singer (Véro Tshanda Beya Mputu) in Kinshasa who is wrenched from...
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Sep 2, 2021 — A dark chapter in Spain’s history lurks in the background of Almodóvar’s exuberant comedy.
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Nov 26, 2019 — A smart and lively adaptation of a 150-year-old classic is warmly greeted in the first round of reviews.
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Jul 7, 2026 — New York’s Japan Society throws a spotlight on Suzu Hirose and Hirokazu Kore-eda.
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Aug 20, 2025 — He locked eyes with audiences in films by Pasolini, Soderbergh, Frears, Stephen Elliott, and Edgar Wright.
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Jan 24, 2024 — Neon’s latest Sundance acquisition is a ghost story told by the ghost.
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Nov 1, 2017 — “If you go to a single production this season, make it this one.” That’s Anthony Tommasini, chief music critic for the New York Times, enthusiastically recommending Thomas Adès’s The Exterminating Angel, an opera inspired by Luis Buñuel’s 1962 film and...
Aug 30, 2017 — Paul Schrader’s First Reformed premieres in Competition in Venice before screening in the Masters program in Toronto, and the New Yorker’s Richard Brody finds it to be “a fierce film; Schrader, one of the crucial creators of the modern cinema...
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Nov 9, 2022 — New York’s Metrograph presents films by Park Chan-wook, Bi Gan, Ang Lee, Johnnie To, and Michael Mann.