The Criterion Collection
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.
Apr 21, 2014 — A real-life prison uprising inspired this two-fisted tale directed by Don Siegel, who would go on to make many more films about men in extreme situations.
Dec 11, 2012 — Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.
Nov 20, 2012 — For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.
Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.
Short Takes
Oct 10, 2012 — Among Kurosawa’s films set in the twentieth century, Ikiru—which you can watch for free on Hulu this week—is probably the most widely seen and beloved. This soul-searching morality tale concerns Watanabe (the haunting Takashi Shimura), a widower and city worker...
Essays
Jul 12, 2011 — Naked is the angriest, most bitterly critical attack on the false values of society that Mike Leigh, Britain’s constant chronicler of the tragic comedy of desperate lives, has ever made. Its audacity is that the attack is mounted through a...
Essays
Jan 26, 2010 — Roberto Rossellini’s second postwar film was released in the United States as Paisan, and one can understand why the distributors wanted to use a title familiar to many Americans as meaning “friend” or “countryman” for a work that is at...
Oct 20, 2008 — Though he had been directing films since the silent era, Kenji Mizoguchi didn’t become an international sensation until after the Second World War, benefiting from a new fascination with Japan’s cinematic output.
Jun 16, 2008 — Claude Sautet occupies a unique place in French cinema. Although he directed some of the biggest hits of the seventies and worked with some of the biggest stars, few critics considered him an “auteur” in his lifetime. Paradoxically, it was...