Back To Search

American Movie

Oct 24, 2019 With deafening footfalls and an earsplitting roar, Gojira, known in the West as Godzilla, first thundered into Japan’s movie houses on November 3, 1954. Six and a half decades later, the monster presides over an international entertainment franchise, having starred...

Jul 17, 2017 “Steven Spielberg laid claim to the Normandy beach landing,” begins Variety’s Peter Debruge, “Clint Eastwood owns Iwo Jima, and now, Christopher Nolan has authored the definitive cinematic version of Dunkirk. Unlike those other battles, however, this last was not a...

Aug 16, 2016 Stig Björkman’s candid documentary gathers a wealth of material from Ingrid Bergman’s personal archive, revealing the star as a fastidious collector of her own memories.

Spartacus

Essays

Apr 23, 2001 Of all the actors to try their hand at producing, Kirk Douglas may have been the most audacious. Spartacus illustrates his taste for unorthodox material, and the story behind the making of the movie reveals a great deal about Douglas’...

Feb 19, 2026 Though in many ways the quintessential company man, the director brought an intimate understanding of the margins of American society to the films he made for Warner Bros. in the 1930s.

Mar 10, 2026 Metrograph presents a retrospective of work by a filmmaker championed by Godard, Rivette, and Bazin.

Dec 31, 2023 We’re ringing in the new year with a look back at a selection of the most exciting pieces we published in 2023.

May 11, 2021 When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...

Dec 10, 2019 Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyper­­bole in the statement; considering the role that...

Aug 4, 2017 “In an unusual bit of programming synchronicity,” writes Ben Kenigsberg in the New York Times, “IFC Center will show High Plains Drifter—one of Clint Eastwood’s earliest directorial efforts, in which he casts himself as an amoral stranger who agrees to...

Current Page
35
of 227

You have no items in your shopping cart