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– The Man Who Came Back

Jan 26, 2010 If Paris, Texas is a love letter to America and American cinema, it now also has something of the feel of a farewell: the world to which Wenders pays homage is vanishing fast.

Sep 29, 2003 “Gray literature” is the term German film historians use to describe the material written purely for publicity purposes and made available to the press, but not meant for official publication. Often this gray literature, which is only accessible to film...

Feb 3, 2026 This year’s winners tell stories of trauma and triumph.

Oct 26, 2023 Ever since he began working with the Miami-based film festival and collective Third Horizon in 2016, Jonathan Ali has been finding ways of celebrating Caribbean cinema and how it captures the irreducible complexity of the region and its diaspora. He...

Nov 16, 2022 After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.

Jul 22, 2022 Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.

May 5, 2021 Deep Dives THE LIFE OF THE LANDIS PERPETUATEDIN RIGHTEOUSNESS one of the protest signs depicted (poetically, upside down) in The Sand Island Story Victoria Keith was a high school teacher, in 1976, when she heard about the pending eviction of two farming communities on Oahu’s East Shore....

Summer Travels

The Daily

Aug 7, 2020 This week we’re reading about Setsuko Hara, Satyajit Ray, Buster Keaton, Rita Azevedo Gomes, and Beyoncé.

Feb 26, 2020 Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...

October Books

The Daily

Oct 16, 2019 This month’s round includes new critical assessments of Bresson and Rohmer, Hollywood memoirs, and interviews with living legends.

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