The Criterion Collection
Aug 15, 2017 — “Given that this edition of Locarno was its 70th, it was a shame that no special anniversary prize was created and bestowed on Raúl Ruíz's gloriously strange The Wandering Soap Opera,” finds James Lattimer at the House Next Door. “The...
The Daily
Jul 17, 2017 — The Venice International Film Festival, whose seventy-fourth edition will run from August 30 through September 9, has announced that, on September 1, Jane Fonda and Robert Redford will each be presented a Golden Lion for Lifetime Achievement. This will happen...
The Daily
Jun 6, 2017 — Once again, we open an entry with a tip from Catherine Grant, the new twelfth issue of Cine-Files, a special commemorative issue “dedicated to the films and artistic legacy of Jacques Rivette and Chris Marker.” Editor Mary Wiles: “Both directors,...
Essays
Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.
Essays
Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.
Jun 17, 2016 — The late 1920s and early 1930s were wonderfully productive years for Jean Renoir and Michel Simon, a simpatico director-actor duo who produced four films together: Tire au flanc (which gave Simon his first starring role), On purge bébé, La chienne,...
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.
Essays
Jul 15, 2014 — Among the brainiest of all horror movies, David Cronenberg’s film goes beyond shock to investigate a disturbing world of psychic mutation.
May 12, 2014 — The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.
Sneak Peeks
Jan 29, 2014 — Thanks to Terence Davies’s distinctive filmmaking style, The Long Day Closes doesn’t quite feel like any other motion picture. This intensely moving, ethereal reverie on a brief happy period of the director’s often sad childhood in Liverpool during the fifties...