Nov 8, 2016 — The Austin-based filmmaking duo chat with us about the influence of Louis Malle and their new short film, which takes inspiration from the director’s Black Moon.

Oct 27, 2016 — The independent horror spectacular Equinox centers on a group of teenagers who discover an ancient tome that contains cryptic information about an evil realm parallel to the human world.

Oct 26, 2016 — The tropes of light comedy give way to a Kafkaesque nightmare in this incendiary critique of moral rot in Franco-era Spain.

Designing for del Toro

Criterion Designs

Oct 26, 2016 — When putting together the Criterion editions of Guillermo del Toro’s films, we assembled a talented group of artists, including Hellboy creator Mike Mignola, del Toro collaborator Guy Davis, comic book creator Becky Cloonan, and Russian artist Vania Zouravliov.

Oct 25, 2016 — On their way back to Mumbai, the filmmaking pair dropped in for a chat about their film The Cinema Travellers, which documents the last traveling-cinema exhibitors of the western Indian state of Maharashtra.

Oct 24, 2016 — Almodóvar reflects on the director of The Executioner, his status as one of the titans of Spanish cinema, and his undeserved obscurity abroad.

Clouzot at Bryn Mawr

In Theaters

Oct 20, 2016 — The Bryn Mawr Film Institute, in Pennsylvania, is screening Henri-Georges Clouzot’s twisted thriller Diabolique, about the murder of a sadistic headmaster by his submissive wife and his malevolent mistress.

Oct 20, 2016 — On the ninety-ninth anniversary of Jean-Pierre Melville’s birth, we’ve gathered a selection of essays, photos, and videos that showcase the best of the iconic director’s varied oeuvre.

Oct 19, 2016 — Martha Karsh, editor of The Beatles A Hard Day’s Night: A Private Archive, published in September by Phaidon, talks about her family’s Beatlemania and assembling a book about the world’s most famous rock band.

Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.

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