The Criterion Collection
Dana Polan teaches cinema studies at New York University’s Tisch School of the Arts. He is the author of eight books on film and cultural studies, including a volume on Jane Campion in the British Film Institute’s World Directors series,...
Peter von Bagh is a Finnish film historian, author, television and radio director and producer, book publisher, and film director. From 1970 to 1985, he was curator and program director of the Finnish Film Archive. Since 1971, he has been...
Graham Fuller is film editor of the Arts Desk and an editorial associate at Cineaste. He has written about movies for Sight and Sound, Film Comment, Vanity Fair, and the New York Times. He has also contributed essays to the...
James Quandt is a frequent contributor to Artforum and has published several articles in the New York Review of Books and essays in various anthologies, including on Andrei Tarkovsky, Jean-Luc Godard, Jia Zhangke, Hou Hsiao-hsien, Nagisa Oshima, New French Extremity,...
Tony Rayns is a London-based critic with a special interest in the film cultures of East Asia. He has been awarded the Kawakita Prize (2004) and the Foreign Ministry of Japan’s Commendation (2008) for services to Japanese cinema. His books...
Tim Lucas is a novelist, critic, biographer, monographer, and lyricist, as well as the former editor and copublisher of the influential Video Watchdog magazine. The only journalist granted full access to the set of Videodrome, he is now the audio...
Dennis Lim is the artistic director of the New York Film Festival and the author of David Lynch: The Man from Another Place (2015) and Tale of Cinema (2022).
Peter Matthews is a senior lecturer in film and television at the London College of Communication, University of the Arts London. He is also a regular contributor to Sight & Sound.
Vida T. Johnson is professor of Russian film and culture at Tufts University and the co-author, with Graham Petrie of The Cinema of Andrei Tarkovsky: A Visual Fugue, Indiana University Press, 1994.
Li Cheuk-to is General Manager of the Hong Kong International Film Festival and the author of Notes on Hong Kong Cinema of the Eighties and Gallery of Vivid Images.