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Oct 15, 2001 The music in Benjamin Christensen’s classic constantly refers to something deeper, creating a sort of deep pity in preparation for the ending of the film.

May 12, 2001 Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.

The Player

Essays

Apr 6, 1993 Robert Altman’s darkly witty, gleefully close-to-bone satire of Hollywood is also a return to the infinitely sly and supple virtuosity that marked his great work of the ‘70s.

Repulsion

Essays

Jan 7, 1991 Roman Polanski’s riposte to Alfred Hitchcock’s Psycho was greeted as a brilliant, grisly potboiler that gave the thirty-two-year-old Polish filmmaker commercial entry to the West.

Show Boat

Essays

Dec 18, 1989 Jerome Kern and Oscar Hammerstein II’s musical was the first to present a panoramic history of America from the Mississippi levees of the 1880s to the Broadway of the 1920s.

Aug 6, 2026 The Chicago Film Society hosts three days of eclectic and vibrant programming.

Jun 9, 2026 Over the course of four decades, the great Mauritanian French filmmaker Med Hondo created a stylistically diverse, politically trenchant body of work that frequently tapped into his own Pan-African roots and explored the existential and material stresses of Black people...

Magnanimous!

The Daily

May 1, 2026 A new month begins with a Visconti restoration, a new issue of Senses of Cinema, and a deep backgrounder on Backrooms.

Mar 24, 2026 Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.

Mar 23, 2026 The Ukrainian director will be taking questions about Two Prosecutors, The Trial, My Joy, and Donbass.

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