The Criterion Collection
Essays
Oct 15, 2001 — The music in Benjamin Christensen’s classic constantly refers to something deeper, creating a sort of deep pity in preparation for the ending of the film.
Essays
May 12, 2001 — Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.
Essays
Apr 6, 1993 — Robert Altman’s darkly witty, gleefully close-to-bone satire of Hollywood is also a return to the infinitely sly and supple virtuosity that marked his great work of the ‘70s.
The Daily
Aug 6, 2026 — The Chicago Film Society hosts three days of eclectic and vibrant programming.
Jun 9, 2026 — Over the course of four decades, the great Mauritanian French filmmaker Med Hondo created a stylistically diverse, politically trenchant body of work that frequently tapped into his own Pan-African roots and explored the existential and material stresses of Black people...
The Daily
May 1, 2026 — A new month begins with a Visconti restoration, a new issue of Senses of Cinema, and a deep backgrounder on Backrooms.
Mar 24, 2026 — Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.
The Daily
Mar 23, 2026 — The Ukrainian director will be taking questions about Two Prosecutors, The Trial, My Joy, and Donbass.