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The Red Line

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

May 16, 2025 There’s a lot going on besides Cannes: Kira Muratova, Glauber Rocha, Mikio Naruse . . .

What Comes After

The Daily

Jan 24, 2025 We’re sampling new issues of Notebook, Senses of Cinema, and 032c and reading about Eisenstein and Charlotte Zwerin.

Jan 21, 2025 Lynchian may be impossible to define, but you know it when you see it.

Karlovy Vary 2024

The Daily

Jun 27, 2024 This year’s edition offers discoveries, restored classics, and plenty of star power.

Deeper into Ozu

Features

Dec 12, 2023 Deep Dives Beloved for his poetic observations of domestic life and intergenerational conflict, Yasujiro Ozu is an icon of international art-house cinema whose patient, exquisitely restrained style has influenced filmmakers around the world. But even though he directed more than...

Aug 25, 2023 Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...

London 2022

The Daily

Oct 5, 2022 Highlights include new work from Chinonye Chukwu, Lars von Trier, Elegance Bratton, and Jerzy Skolimowski.

Aug 6, 2021 Conversations with Agnès Godard and Brian De Palma and tributes to Chris Marker and Menelik Shabazz are among this week’s highlights.

Dec 18, 2020 From Marlene Dietrich to Tsai Ming-liang, it’s a varied and wide-ranging bunch this week.

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