I Am

Mar 25, 2019 — The writer, producer, and director packed trenchant satire into his genre-hopping B-movies.

Mar 22, 2019 — This week spotlights George Cukor, Chantal Akerman, Straub-Huillet, Antonioni, and the feud between Clint Eastwood and Pauline Kael.

Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...

Feb 25, 2019 — Songbook Pace Lou Reed, nobody’s life is saved by rock and roll in Cold Water. This in spite of  its young characters’ relentless pursuit of it, in both musical and metaphysical forms. Made in 1994, set in 1972, Olivier Assayas’s...

Feb 22, 2019 — If I were to list the criteria for my ideal project, creating a sculpture of Tadzio, the young boy from Death in Venice, for a Criterion release of Luchino Visconti’s adaptation would just about tick off all the boxes. Firstly, I love cinema,...

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Jan 30, 2019 — An exhibition, a film series, and of course, If Beale Street Could Talk are markers of heightened interest in the writer, activist, and cinephile.

Jan 24, 2019 — Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.

Jan 10, 2019 — The February festival’s added eleven films to its competition and another six to the Berlinale Special program.

Jan 8, 2019 — A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.