Daniel

Dec 19, 2019 — Lists (of course), but also philosophical surveys, biographies, and coffee table books are featured in this month’s round.

Dec 12, 2019 — Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...

Dec 10, 2019 — Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyper­­bole in the statement; considering the role that...

Nov 29, 2019 — Since its debut in 2003, the online film publication Reverse Shot has found playful and provocative ways of blurring the boundaries between presumed opposites. With their tradition of symposiums—collections of newly commissioned essays on various topics and questions in film...

Nov 14, 2019 — Curators Richard Peña and Livia Bloom Ingram bring nine “under the radar” titles by independent American filmmakers to the Cinémathèque française.

Nov 8, 2019 — A digital resurrection, an image book, and a painting of a hammer all figure in this week’s round.

Oct 29, 2019 — Check out what’s in store next month on our streaming service!

Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.

Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.

Sep 18, 2019 — Adam Sandler plays a jeweler addicted to risk in the brothers’ new exhilarating—and exhausting—new film.