The Criterion Collection
Aug 2, 2004 — The three film’s in Renoir’s trilogy are comic period fantasies in dazzling color, offering a kind of continuous, bustling choreography in which shifting power relations between upper and lower classes and between spectators and performers literally turn the world into...
Essays
Mar 11, 2002 — This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.
Essays
Jan 21, 2002 — A fresco conceived on a majestic scale, Marcel Carné’s masterpiece sweeps its audience back to the 1820s, painting the detail of a world obsessed with both theater and crime.
Oct 15, 2001 — The French director’s crime film conveys both the flow and the form of the prison experience.
Nov 14, 1988 — It is sometimes as important to be in touch with the truths of your own time as it is to be in touch with its metaphors. 2001: A Space Odyssey, one of the most influential films ever made, constructed a...
Essays
Oct 31, 1988 — This ingenious and entertaining crime thriller marks what its director Stanley Kubrick would like to think of as the real beginning of his career.
Essays
Dec 11, 1986 — If events had turned out differently, Orson Welles’s second film might well be widely regarded as “the greatest film of all time.”
The Daily
Jul 28, 2026 — Seven dynamite nights with Keaton, Chaplin, Lubitsch, Ford, Murnau, Griffith, and Raoul Walsh.
The Daily
Apr 30, 2026 — The festival presents new work by Isabel Sandoval, Kogonada, Ildikó Enyedi, and more.