The Criterion Collection
The Daily
Mar 2, 2018 — New York. MoMA’s retrospective El Indio: The Films of Emilio Fernández is on through March 13. “With his longtime artistic comrade, the great cinematographer Gabriel Figueroa, Fernández directed the movies that gave arthouse audiences worldwide their vision of post-colonial Mexico...
Feb 27, 2018 — Director Tony Richardson refracts the bawdy spirit of the 1960s through this brilliantly distilled take on an eighteenth-century picaresque.
Feb 26, 2018 — New York. He Who Gets Slapped (1924) screens this evening at Film Forum as part of the series Victor Sjöström: The Screen’s First Master. Lon Chaney “is brilliant as a man who has chosen madness over grief,” writes Jon Dieringer,...
In Theaters
Feb 22, 2018 — As part of the fourth annual Cinema Revival, the Wexner Center for the Arts in Columbus, Ohio, will screen our 4K restoration of Tony Richardson’s Tom Jones.
Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.
The Daily
Feb 16, 2018 — “The responsibility of being a gay film critic,” writes Michael Koresky, “to borrow a phrase from the great Robin Wood, is to be honest about your responses as an individualized viewer, and to balance questions around identity with a film’s...
The Daily
Feb 14, 2018 — Until the Oscars are presented on March 4, it’s not yet too late to be looking back at the best of 2017. The Village Voice has polled over a hundred critics, and Phantom Thread has come out on top with...
Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.
Feb 7, 2018 — In this excerpt from a supplement on our edition of Elevator to the Gallows, jazz legend Miles Davis plays his improvised score to projected images from the film.
The Daily
Feb 7, 2018 — Looks like we all missed it. Most of us, anyway. Way back, December 27, Craig Hlavaty reported for the Houston Chronicle that Richard Linklater has been working on a film set in the summer of 1969. And not even quietly....