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Dec 17, 2018 — Also, directors discuss their craft, and critics carry on listing the best films of 2018.

Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...

Dec 17, 2018 — Euzhan Palcy’s searing 1989 drama A Dry White Season—an indictment of South Africa’s racist apartheid-era regime that made its own mark on history, becoming the first Hollywood studio film directed by a black woman—owes much of its power to its...

Dec 14, 2018 — “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Dec 14, 2018 — In this week’s round: Tarkovsky and Eisenstein, Godard and Varda, and one of the most consequential television programs of all time.

Dec 13, 2018 — The Berlinale will premiere new work by Angela Schanelec and Denis Côté, Rotterdam’s got an opener, and Steven Soderbergh will preview his latest at Slamdance.

Dec 13, 2018 — Repertory Picks Tomorrow, as part of the opening night of the three-week-long retrospective Jacques Tourneur, Fearmaker, New York’s Film Society of Lincoln Center will scare up a screening of the director’s masterpiece Cat People. The chilling tale of a fashion designer...

Dec 12, 2018 — Selection to the registry ensures that “these films will be preserved for all time.”

Dec 12, 2018 — As the commanding presence at the center of Samuel Fuller’s wild feminist western Forty Guns, the great Barbara Stanwyck taps into the tough, no-nonsense bearing she’d honed on-screen since the late twenties, playing the part of a corrupt rancher who...

Dec 11, 2018 — As critics list their favorite television shows of 2018, we take a look at some of the most notable writing about a few of their picks.