Euzhan Palcy’s searing 1989 drama A Dry White Season—an indictment of South Africa’s racist apartheid-era regime that made its own mark on history, becoming the first Hollywood studio film directed by a black woman—owes much of its power to its stellar cast. Led by Donald Sutherland and Winston Ntshona as a white schoolteacher and his black gardener, the film features a particularly impressive, Oscar-nominated supporting turn by Marlon Brando, who anchors the movie’s fiery, riveting courtroom scenes as a crusading lawyer hired by Sutherland’s character to help shed light on the injustices faced by his employee’s family. Among the supplementary material on our new release of A Dry White Season is an interview with Palcy that includes her behind-the-scenes account of collaborating with the legendary Brando. She tells the story of how the actor, who at the time hadn’t appeared on-screen for nearly a decade, calmed his nerves by asking some of the technicians on the set about their jobs. And keep watching to hear the gracious words that the actor had for the cast and crew once his time on the shoot came to an end.
A Subtler Side of the Hepburn-Grant Magic
Filmmaker and distributor Michael Schlesinger and critic Michael Sragow dive into the pleasures of Holiday, a romantic-comedy classic that has long stood in the shadow of The Philadelphia Story but has a poignancy all its own.
Wim Wenders Looks Back on the Digital Future He Predicted
From search engines to all-engrossing handheld devices, the technologies that the German director conjured for his 1991 opus Until the End of the World are now common features of contemporary life.
John Bailey Breaks Down a Tour de Force of Gothic Lighting
The veteran cinematographer takes a close look at the highly stylized and atmospheric lighting in one of the most pivotal scenes in pre-Code classic The Story of Temple Drake.
All About Mankiewicz
One of the most celebrated Hollywood writer-directors of his time, Joseph L. Mankiewicz offers a window into the way he sees his characters in this illuminating clip from an archival interview.