The Criterion Collection
Essays
Jun 3, 2002 — Ronald Neame’s character study examines a talented, eccentric artist, who is also difficult, conniving, uncouth, and thoroughly disreputable.
Essays
Jun 3, 2002 — By any standard, The Horse’s Mouth shines as an outstandingly personal work from a decade that often seems the most arid in British cinema. Amid tepid comedies and timid thrillers, it sparkles with conviction and eccentricity—at least that’s how it...
Essays
Mar 11, 2002 — This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.
Jun 26, 2000 — Kevin Smith writes about his third feature as a sort of penance/valentine for the woman who made him grow up.
Essays
Aug 25, 1998 — Abeautiful woman is mysteriously beating the bejesus out of a drunk when he suddenly pulls at her hair and it comes off. The now totally bald woman continues smacking him around with her shoe until he falls to the ground....
The Daily
Oct 6, 2026 — This week is packed with festival openings, special screenings, series, and retrospectives.
Sep 30, 2026 — The Bhutanese director and leading Tibetan Buddhist teacher talks about his wide range of aesthetic influences, his experience working with Bernardo Bertolucci, and film’s connection to meditation.
The Daily
Jul 28, 2026 — Seven dynamite nights with Keaton, Chaplin, Lubitsch, Ford, Murnau, Griffith, and Raoul Walsh.
The Daily
Jun 3, 2026 — This year’s lineup features lots of music, another De Niro and Scorsese reunion, and an AI-generated feature.
The Daily
May 15, 2026 — This week: Super 8 films by Teo Hernández, a new feature from Patrick Wang, and a revival of Aloïse (1975), starring Isabelle Huppert and Delphine Seyrig.