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The Look

Oct 18, 2021 Panah Panahi’s debut feature expertly balances “knockabout humor and slowly tightening tension.”

Oct 8, 2021 Apichatpong Weerasethakul’s new film will eventually make it to your local theater, and critics say it’s worth the wait.

Sep 7, 2021 When Breathless opened in the U.S., the New York Times announced the arrival of “a hypnotically ugly new young man by the name of Jean-Paul Belmondo.”

Aug 12, 2021 Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.

Jun 28, 2021 The new issue features in-depth writing on work by Radu Jude and Ryusuke Hamaguchi and tributes to Bertrand Tavernier and Monte Hellman.

Jun 10, 2021 As the festival presents its program to the public, now is a good time to discover the bounty at the Forum’s newly revamped site.

May 26, 2021 Channel Calendars Next month, the Criterion Channel celebrates Pride Month with a host of extraordinary queer-themed films, including a new installment of our Queersighted series focusing on taboo-breaking artists, a trio of outré underground classics from John Waters, and a restrospective...

Apr 9, 2021 Uncovering “The Naked City,” Bruce Goldstein’s scintillating chronicle of The Naked City’s groundbreaking New York location shoot, is more than the best “where-they-filmed-it” doc ever made. As Goldstein wittily traces director Jules Dassin’s Gotham roots and influences, this twenty-three-minute documentary—now...

Mar 24, 2021 Performances By the time The Manchurian Candidate was released in 1962, Frank Sinatra had been on American screens and in American hearts for nearly two decades. His bobby-soxers had been displaced by Elvis fans, who had been displaced by Beatles...

Feb 26, 2021 There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...

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