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Love O2O

Emma Wilson teaches European cinema and literature at the University of Cambridge. She has written on Pedro Almodóvar’s films previously in her monographs Cinema’s Missing Children (2003) and Love, Mortality and the Moving Image (2012). Her latest book is The...

David Jenkins worked on the film desk at Time Out London and is now editor of the film magazine Little White Lies. He is coeditor and author of the book What I Love About Movies and contributed chapters to the...

Annie Baker is a playwright living in Brooklyn. An anthology of her work, The Vermont Plays, is available from TCG. Her most recent play, The Flick, deals with movie love.

Peter Guralnick has written extensively on American music and musicians. His books include a prize-winning two-volume Elvis Presley biography, Last Train to Memphis and Careless Love, and Dream Boogie: The Triumph of Sam Cooke. He is currently at work on...

David Kalat is a film historian who has been in love with the fantastique since his misspent childhood. He has written several books, including The Strange Case of Dr. Mabuse and, most recently, Too Funny for Words: A Contrarian History...

James Harvey is a playwright, essayist and critic. He is the author of Movie Love in the Fifties and Romantic Comedy in Hollywood, from Lubitsch to Sturges. His work has appeared in the New York Review of Books and the...

Molly Haskell is a critic and author whose books include From Reverence to Rape: The Treatment of Women in the Movies; Love and Other Infectious Diseases; Frankly, My Dear: “Gone with the Wind” Revisited; and Steven Spielberg: A Life in...

Apr 28, 2026 As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...

Jun 27, 2023 With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.

Nov 1, 2022 A film of rich colors, mournful silences, and haunting symmetries, Wong Kar Wai’s masterpiece is a meticulously constructed memory box that invites fetishistic dissection.

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